매체 변환을 통해 재해석된 『세일즈맨의 죽음』: 아쉬가르 파라디 감독의 영화 <세일즈맨>(2017)

Arthur Miller's play <The Death of a Salesman> has been reproduced for a long time, and has been made into a film several times. Director Asghar Farhadi made a film set in Iran in the 21st century, showing the film <Salesman>(2017), which excludes "Death" from the original title. <Salesman> is not just a movie of <The Death of a Salesman>. In <Salesman>, the play <Death of a Salesman> is summoned in the form of performing a play. There are many movies in this form, but <Salesman> is an exquisite fabrication so that the reality outside the play and the content in the play harmonize with each other. The play <Death of a Salesman> depicts the tragedy of the head of the family who falls at the end of the American dream. The movie <Salesman> transforms this tragedy into a conflict between a young couple living in Iran in the 21st century. In addition, <Salesman> is completed as an independent work that not only rearranged the space and characters of the original work, but also reinterpreted the meaning of death, creating the effect of media conversion such as theater and film.